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Reid Lee

The Highwaymen - "Ghost Riders in the Sky"

October 09, 2020  /  Reid Lee

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Some days we all feel like wraiths flying through the storm pressing onward in a never ending cycle of running and chasing the winds all around us.

The Highwaymen was an American country music supergroup, composed of four of country music's biggest artists, who pioneered the outlaw country subgenre: Johnny Cash, Waylon Jennings, Willie Nelson, and Kris Kristofferson. Between 1985 and 1995, the group recorded three major label albums as The Highwaymen: two on Columbia Records and one for Liberty Records. Their Columbia works produced three chart singles, including the number one "Highwayman" in 1985.

Between 1996 and 1999, Nelson, Kristofferson, Cash, and Jennings provided the voice and dramatization for the Louis L'Amour Collection, a four-CD box set of seven Louis L'Amour stories published by the HighBridge Company, although the four were not credited as "The Highwaymen" in this work.

Besides the four formal members of the group, one other vocal artist appeared on a Highwaymen recording: Johnny Rodriguez, who provided Spanish vocal on "Deportee", a Woody Guthrie composition, from the album Highwayman.

This song always evoked images of flaming ghost horses and cattle skeletons flying across the sky. Something that feels completely appropriate for Halloween month. From singing this song at summer camp to listening to it later with my dad and realizing that these country legends created this incredible song that was cross-generational.

So today, with flying through the storm, I choose The Highwaymen’s “Ghost Riders in the Sky” , as my flames on the side of my face, tears down my cheeks, lightning in my eyes, song for a, wild times, lost memories, one more ride, Friday.

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Sam the Sham & The Pharoahs - "Hey There Little Red Riding Hood"

October 08, 2020  /  Reid Lee

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While not politically correct, they were a vibrant band who had some chart toppers, using the gimmicks they had at the time.

Domingo "Sam" Samudio (born February 28, 1937,[2] in Dallas, Texas, United States), better known by his stage name Sam the Sham, is a retired American rock and roll singer. Sam the Sham was known for his camp robe and turban and hauling his equipment in a 1952 Packard hearse with maroon velvet curtains. As the front man for the Pharaohs, he sang on several Top 40 hits in the mid-1960s, notably the Billboard Hot 100 runners-up "Wooly Bully" and "Li'l Red Riding Hood".

After paying to record and press records to sell at gigs, Sam the Sham and the Pharaohs wound up with the XL label in Memphis. There they recorded their first and biggest hit, "Wooly Bully", in late 1964. Once MGM picked up the record, "Wooly Bully" ended up selling three million copies and reaching No. 2 on the Billboard Hot 100 on 5 June 1965, at a time when American pop music charts were dominated by the British Invasion. It was awarded a gold disc.

Although "Wooly Bully" never reached #1, it lingered on the Hot 100 for 18 weeks, the most weeks for any single within the calendar year 1965, 14 of which were in the Top 40. The record achieved the distinction of becoming the first Billboard "Number One Record of the Year" not to have topped a weekly Hot 100 and remained the only one for 35 years, until Faith Hill's "Breathe" and Lifehouse's "Hanging by a Moment" in 2000 and 2001, respectively.

The song is used constantly for predatory overtones and often makes appearances in Halloween Movies. One of my favorite cover versions is Amanda Seyfried’s version for her movie “Red Riding Hood”.

So to day, on the prowl, I choose Sam the Sham & The Pharoahs “Hey There Little Red Riding Hood” as my, what under the cape, a hop and a skip, looks delicious to me, song for a, what big teeth you have, the better to taste you with, don’t underestimate your prey, Thursday.

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Gerard McCann - "Cry Little Sister (The Lost Boys Theme)"

October 07, 2020  /  Reid Lee

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Jason Patric alone was a sexual awakening for me. The trifecta of Jason Patric, Keifer Sutherland, & Jamie Gertz really did something to my little little heart that I couldn’t quite explain.

The Lost Boys is a 1987 American teen black comedy horror film directed by Joel Schumacher, produced by Harvey Bernhard with a screenplay written by Jeffrey Boam. Janice Fischer and James Jeremias wrote the film's story. The film's ensemble cast includes Corey Haim, Jason Patric, Kiefer Sutherland, Jami Gertz, Corey Feldman, Dianne Wiest, Edward Herrmann, Alex Winter, Jamison Newlander, and Barnard Hughes.

The title is a reference to the Lost Boys in J. M. Barrie's stories about Peter Pan and Neverland, who, like the vampires, never grow up. Most of the film was shot in Santa Cruz, California.

The Lost Boys was released and produced by Warner Bros. Pictures on July 31, 1987 and was a critical and commercial success, grossing over $32 million against a production budget of $8.5 million.

The success of the film has spawned a franchise with two sequels (Lost Boys: The Tribe and Lost Boys: The Thirst), two comic book series and a future television series.

So with stardust dancing in my moonlit eyes, I choose Gerard McCann’s “Cry Little Sister” as my, till death do us, with a little magic, glitter down your arms, song for a, resistance is futile, join us, awaken to the You you were always destined to become, Wednesday.

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The Smiths - "How Soon Is Now"

October 06, 2020  /  Reid Lee

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This song always brings out the witch in me. Charmed was such a game changer for a lot of people that were into the occult and spiritual practices other than Christianity, and while I wouldn’t always call it the most accurate depiction of the craft, it certainly was a positive one. So the Smiths, witches if I’ve ever seen one, will always be associated with magic for me.

The Smiths were an English rock band formed in Manchester in 1982. Consisting of vocalist Morrissey, guitarist Johnny Marr, bassist Andy Rourke, and drummer Mike Joyce, critics consider the band one of the most important to emerge from the British independent music scene of the 1980s. Internal tensions led to their break up in 1987 and subsequent offers to reunite have been refused.  In 2012, all four Smiths' studio albums (and a compilation) appeared on Rolling Stone's list of the "500 Greatest Albums of All Time", while "William, It Was Really Nothing" and "How Soon Is Now?" were included in the "500 Greatest Songs of All Time" list.

Based on the songwriting partnership of Morrissey and Marr, the Smiths' focus on a guitar, bass, and drum sound, and fusion of 1960s rock and post-punk, were a rejection of the synthesiser-based dance-pop of the time. Marr's Rickenbacker guitar work was reminiscent of the jangle pop sound of Roger McGuinn from the Byrds. Morrissey's complex, literate lyrics combined themes of ordinary lives with mordant humour.

The Smiths were signed to the independent label Rough Trade Records. Several Smiths singles reached the top 20 of the UK Singles Chart and all of their studio albums reached the top five of the UK Albums Chart, including the number-one album Meat Is Murder (1985). They achieved mainstream success in Europe with The Queen Is Dead (1986) and Strangeways, Here We Come (1987), both of which entered the top twenty of the European Albums Chart. Their live album Rank (1988) reached the top 10 in Europe.

So today, with a little mountain magic running in my veins, I choose The Smiths’ “How Soon Is Now” as my, sparkled a little brighter, illusions can be real, dance in the shadows, song for a, belief begins creation, a promise is a contract, words hold power, Tuesday.

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Vic Mizzy - "The Addams Family Theme"

October 05, 2020  /  Reid Lee

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Some days you just need a little spooky camp in your life.

Victor Mizzy (January 9, 1916 – October 17, 2009) was an American composer for television and movies whose best-known works are the themes to the 1960s television sitcoms Green Acres and The Addams Family. Mizzy also wrote top-20 songs from the 1930s to 1940s.

Mizzy was born in Brooklyn, New York, and attended New York University. As a child, he played accordion and piano, and was largely self-taught as a composer. During World War II, he served in the United States Navy where he wrote some of his hit songs.

In the late 1930s, while based in New York City, Mizzy began composing a string of popular songs. These included Doris Day's 1945 hit "My Dreams Are Getting Better All the Time". Other Mizzy compositions were "There's a Faraway Look in Your Eye" and "Three Little Sisters", both co-written with lyricist Irving Taylor. The latter were sung by The Andrews Sisters on Decca Records and in the 1942 Universal film Private Buckaroo, in which the sisters appeared with Harry James' big band.

Dinah Shore also recorded "Three Little Sisters"; "Take It Easy" (also with lyricist Taylor), "Pretty Kitty Blue Eyes", "The Whole World Is Singing My Song", "Choo'n Gum" (recorded by The Andrews Sisters, as well as Teresa Brewer), "The Jones Boy", which was a 1953 hit for The Mills Brothers, and "With a Hey and a Hi and a Ho-Ho-Ho".

Mizzy broke into television circa 1959, composing music for Shirley Temple's Storybook and the themes for Moment of Fear, Klondike and Kentucky Jones. During the 1960s, he wrote themes and scores for the hit shows Green Acres and The Addams Family, as well as for other sitcoms, including The Pruitts of Southampton, The Double Life of Henry Phyfe, Captain Nice, The Don Rickles Show, and Temperatures Rising, and the 1964–1965 comedy drama Kentucky Jones.

So today, with spooky little smile, I choose Vic Mizzy’s “The Addams Family Theme” as my, go on and giggle, being scared can be fun, being fun can be scary, song for a, keep your secrets well, hold your hearts carefully make promises wisely, Monday.

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Donovan - "Season of the Witch"

October 02, 2020  /  Reid Lee

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Donovan Phillips Leitch (born 10 May 1946) is a Scottish singer, songwriter and guitarist. He developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelia, and world music (notably calypso). He has lived in Scotland, Hertfordshire (England), London, California, and since at least 2008 in County Cork, Ireland, with his family. Emerging from the British folk scene, Donovan reached fame in the United Kingdom in early 1965 with live performances on the pop TV series Ready Steady Go!.

Having signed with Pye Records in 1965, he recorded singles and two albums in the folk vein for Hickory Records (US company), after which he signed to CBS/Epic Records in the US – the first signing by the company's new vice-president Clive Davis – and became more successful internationally. He began a long and successful collaboration with leading British independent record producer Mickie Most, scoring multiple hit singles and albums in the UK, US, and other countries.

His most successful singles were the early UK hits "Catch the Wind", "Colours" and "Universal Soldier" in 1965, written by Buffy Sainte-Marie. In September 1966 "Sunshine Superman" topped America's Billboard Hot 100 chart for one week and went to number two in Britain, followed by "Mellow Yellow" at US No. 2 in December 1966, then 1968's "Hurdy Gurdy Man" in the Top 5 in both countries, then "Atlantis", which reached US No. 7 in May 1969.

He became a friend of pop musicians including Joan Baez, Brian Jones and the Beatles. He taught John Lennon a finger-picking guitar style in 1968 that Lennon employed in "Dear Prudence", "Julia", "Happiness Is a Warm Gun" and other songs. Donovan's commercial fortunes waned after parting with Most in 1969, and he left the industry for a time.

Donovan continued to perform and record sporadically in the 1970s and 1980s. His musical style and hippie image were scorned by critics, especially after punk rock. His performing and recording became sporadic until a revival in the 1990s with the emergence of Britain's rave scene. He recorded the 1996 album Sutras with producer Rick Rubin and in 2004 made a new album, Beat Cafe. Donovan was inducted into the Rock and Roll Hall of Fame in 2012 and the Songwriters Hall of Fame in 2014.

So today, feeling spooky, I choose Donovan’s “Season of the Witch”, as my, long dark hair, raven eyes, nails on against your back, song for an, open your third eye, the spirits are calling, remember that time is yours to bend, Friday.

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Lianne La Havas - "Starry Starry Night"

October 01, 2020  /  Reid Lee

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Lianne Charlotte Barnes (born 23 August 1989) known professionally as Lianne La Havas is a British singer and songwriter. Her career began after being introduced to various musicians, including singer Paloma Faith, for whom she sang backing vocals. In 2010, La Havas signed to Warner Bros. Records, spending two years developing her songwriting, before releasing any music. La Havas' debut studio album, Is Your Love Big Enough? (2012), was released to positive reviews from critics and earned her a nomination for the BBC's Sound of 2012 poll and awards for the iTunes Album of The Year 2012.

Her current work is being showcased on a 2020 album of which 2 singles have been released.

Her sound is original. It is warm like midnight velvet on a cold starry night. Her breathless vocals make the listener feel like they are catching her tell them a secret, while she whispers the strength of her voice is delicate detailed phrases.

So today, I choose Lianne La Havas’ cover of “Starry Starry Night” as my, remember the magic you know, hold close the stars you’ve placed in your pockets, watch the embers ignite the fire, song for a, little drops of spellcraft, small stories untold, legends made to be memories, Thursday.

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Fiona Apple - "Pale September"

September 30, 2020  /  Reid Lee

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Fiona Apple McAfee-Maggart (born September 13, 1977) is an American singer-songwriter, pianist, and poet. An eight-time Grammy Award nominee and one-time winner, her albums have reached the top five on the U.S. chart in four consecutive decades.

The youngest daughter of actor Brandon Maggart, Apple was born in New York City but was raised alternating between New York and her father's home in Los Angeles. Classically trained on piano as a child, she began composing her own songs when she was eight years old. Her debut album, Tidal, containing songs written when she was 17, was released in 1996 and received a Grammy Award for Best Female Vocal Rock Performance for the single "Criminal". She followed with When the Pawn... (1999), produced by Jon Brion, which was also critically and commercially successful and was certified platinum.

For her third album, Extraordinary Machine (2005), Apple again collaborated with Brion, and began recording the album in 2002. However, Apple was reportedly unhappy with the production and opted not to release the record, leading fans to protest Epic Records, erroneously believing that the label was withholding its release. The album was eventually re-produced without Brion and released in October 2005. The album was certified gold, and nominated for a Grammy Award for Best Pop Vocal Album. In 2012, she released her fourth studio album, The Idler Wheel..., which received critical praise and was followed by a tour of the United States and was nominated for the Grammy Award for Best Alternative Music Album in 2013. Apple's fifth studio album, Fetch the Bolt Cutters, was released in 2020 to widespread acclaim.

She has sold over 10 million albums worldwide and has received numerous awards and nominations, including a Grammy Award, 2 MTV Video Music Awards and a Billboard Music Award.

So today, waving goodbye to a year spinning madly away from us, I choose Fiona Apple’s “Pale September” as my, cool like a heatwave, a pool of ice, a fire I froze inside of, song for a, creep on at a pound of flesh per inch, like glass for gravel, hurry on winter and warm me up, Wednesday.

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