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Reid Lee

Whitney Houston - "I Wanna Dance With Somebody (Carl Rag 2019 Remix)"

April 17, 2020  /  Reid Lee

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Get ready for some deep house vibes this week courtesy of Polish DJ, producer and finger drumming sensation Carl Rag. 

Finger drummer, performer and classically trained pianist who changes the way we understand DJing and live performances today.

DJing is about playing other people’s music, and production is about making that music. Somewhere in between is the performing art of finger drumming, where snippets of tracks are carefully crafted into a full set. Carl does this in great style using his amazing skills by uniquely blending, chopping and creating tunes. The result? Eye catching, ear pleasing sets in his skillful style.

With a number of live shows in clubs, product demos and showcases for top companies in the DJ/studio equipment industry (such as: Akai Professional, M-audio and Reloop) all over the Europe, Carl became a specialist in the field of finger drumming and took the art of live performances to the next level.
He also worked with other brands such as Melodics and Djtechtools.

The milestone for Carl was collaboration with Toolroom Records back in 2013 (Toolroom TEN campaign) when he gained a very respectable fan-base including the likes of artists such as legendary Mark Knight, D-Ramirez, Doorly as well as R3hab, Quintino, TJR, and many more.

So today, to put a little sunshine back in your step, I choose Carl Rag’s “I Wanna Dance With Somebody by Whitney House 2019 Remix “ as my, boogie woogie oogie, shake it off, get out of the grey, song for a, smiling changes your body chemistry, open up the sky, find the light in your eyes, Friday.

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George Gershwin - "I Got Rhythm"

April 16, 2020  /  Reid Lee

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The song came from the musical Girl Crazy which also includes two other hit songs, "Embraceable You" and "But Not for Me", and has been sung by many jazz singers since. It was originally written as a slow song for Treasure Girl (1928) and found another, faster setting in Girl Crazy. Ethel Merman sang the song in the original Broadway production and Broadway lore holds that George Gershwin, after seeing her opening reviews, warned her never to take a singing lesson.

The piece was originally penned in the key of D♭ major. The song melody uses four notes of the five-note pentatonic scale, first rising, then falling. A rhythmic interest in the song is that the tune keeps behind the main pulse, with the three "I got..." phrases syncopated, appearing one beat behind in the first bar, while the fourth phase "Who could..." rushes in to the song. The song's chorus is in a 34-bar AABA form.[1] Its chord progression (although often reduced to a standard 32-bar structure, for the sake of improvised solos), is known as the "rhythm changes", and is the foundation for many other popular jazz tunes. The song was used as the theme in Gershwin's last concert piece for piano and orchestra, the Variations on "I Got Rhythm", written in 1934. The song has become symbolic of the Gershwins, of swing, and of the 1920s.

As usual, George Gershwin wrote the melody first and gave it to Ira to set, but Ira found it an unusually hard melody for which to create lyrics. He experimented for two weeks with the rhyme scheme he felt the music called for, sets of triple rhymes, but found that the heavy rhyming "seemed at best to give a pleasant and jingly Mother Goose quality to a tune which should throw its weight around more." Finally he began to experiment with leaving most of the lines unrhymed. "This approach felt stronger," he wrote, "and I finally arrived at the present refrain, with only 'more-door' and 'mind him-find him' the rhymes." He added that this approach "was a bit daring for me who usually depended on rhyme insurance."

Ira also wrote that although the phrase "who could ask for anything more?" is repeated four times in the song, he decided not to make it the title because "somehow the first line of the refrain sounded more arresting and provocative."

My favorite versions are the ones I have posted. One, where the song is featured in the 1951 musical film An American in Paris. Gene Kelly sang the song and tap-danced, while French-speaking children whom he had just taught a few words of English shouted the words "I got" each time they appeared in the lyrics. This version finished at #32 in AFI's 100 Years...100 Songs survey of top tunes in American cinema. Second is the lively Judy Garland version.

So today, with a bit of steam in my step, I choose George Gershwin’s “I Got Rhythm” as my, pep in your step, rut in your strut, cock in your walk, song for a, sometimes you just need to look for the sun, there’s joy out there for the finding, whatever you search for you are sure to find, Thursday.

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Benjamin Scheuer - "I Am Samantha"

April 15, 2020  /  Reid Lee

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Benjamin Scheuer is an American songwriter, guitarist, playwright, performer and recording artist, based in London and New York City.

Benjamin Scheuer (pronounced “SHOY-er”) wrote and performed The Lion, a one-man autobiographical musical. The Lion premiered off-Broadway in 2014 at the Manhattan Theatre Club, directed by Sean Daniels. It has since enjoyed critically acclaimed runs off-West End in London, again off-Broadway in New York, and at theatres around the United States. The Los Angeles Times writes that in The Lion, "the vibe of casual, unrehearsed immediacy masks the narrative complexity of a novel or an opera."

I Am Samantha was released on March 31, 2020, to coincide with International Transgender Day of Visibility. The video features a cast of 27 transgender performers, including Monica Helms and is directed by T Cooper. Scheuer wrote the song for his trans friend Samantha Williams.

Scheuer is the recipient of the 2015 Drama Desk Award for Outstanding Solo Performance, a 2015 Theatre World Award for The Lion, the 2014 Off West End Award for Best Musical, the 2013 ASCAP Foundation Cole Porter Award for songwriting and the 2013 Musical Theatre Network Award for Best Lyrics. Scheuer has been nominated for a 2017 Helen Hayes Award, a 2015 Lucile Lortel Award and two 2015 Outer Critics Circle Awards, as well as the 2015 Drama Desk Award for Best Lyrics.

He’s a rare talent and he’s willing to tell the stories too often not looked at.

So today, with a nod to all the alternate versions of ourselves that hide inside our hearts, I choose Benjamin Scheuer’s “I Am Samantha” as my, believe yourself into the best version of you there is, go on and try, give yourself the freedom to fail, song for a, push through the fog, yours is the life worth fighting for, one more hope, Wenesday.

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Shoshana Bean & Cynthia Erivo - "When You Believe"

April 13, 2020  /  Reid Lee

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I am a firm believer that belief makes things real. Miracles happen because we believe them into existence. We can do it at any time, any day, any place.


So today, after a weekend of emotional recovery, I choose Shoshana Bean & Cynthia Erivo’s version of “When You Believe” as my, chin up young person. hope is stronger than you knew, look to the sky, song for a, hold on to the heartbeat, listen to the music coming down the line to you, follow the aim of your heart, Monday.

If you want the good part, skip to minute 45.

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Dixie Chicks - "Easy Silence"

April 09, 2020  /  Reid Lee

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They are one of the biggest selling music groups of all time. They were not only the queens of country but also the top of the pops, and through relationship woes, political upheaval, and seismic shifts in their landscapes these women have remained true to their art and true to their hearts.

composed of founding members (and sisters) Martie Erwin Maguire and Emily Erwin Robison, and lead singer Natalie Maines. The band formed in 1989 in Dallas, Texas, and was originally composed of four women performing bluegrass and country music, busking and touring the bluegrass festival circuits and small venues for six years without attracting a major label. After the departure of one bandmate, the replacement of their lead singer, and a slight change in their repertoire, the Dixie Chicks soon achieved commercial success, beginning in 1998 with hit songs "There's Your Trouble" and "Wide Open Spaces".

The Dixie Chicks have won 13 Grammy Awards, including five in 2007 for Taking the Long Way—which received the Grammy Award for Album of the Year—and "Not Ready to Make Nice", a single from that album. By March 2020, with 33 million certified albums sold, and sales of 27.5 million albums in the U.S. alone, they had become the top selling all-female band and biggest-selling country group in the U.S. during the Nielsen SoundScan era (1991–present).

On March 10, 2003, during a London concert, nine days before the 2003 invasion of Iraq, lead vocalist Maines told the audience: "We don't want this war, this violence, and we're ashamed that the President of the United States (George W. Bush) is from Texas," which garnered a positive reaction from the British audience but led to a contrasting negative reaction, and ensuing boycotts, in the United States, where talk shows denounced the band, their albums were discarded in public protest and corporate broadcasting networks blacklisted them for the remainder of the Bush years. After a touring hiatus, they toured again in 2010, 2013 and 2016.

On March 16, 2006, the Dixie Chicks released the single "Not Ready to Make Nice" in advance of their upcoming album. Written by the Dixie Chicks and songwriter Dan Wilson, it directly addressed the political controversy that had surrounded the group for the previous three years. Robison said, "The stakes were definitely higher on that song. We knew it was special because it was so autobiographical, and we had to get it right. And once we had that song done, it freed us up to do the rest of the album without that burden." She said writing the song had become their "therapy", since they had to hold in so many stored emotions for so long. Thus, the band considered the album not so much political as very personal.

The question of how the group's new record would fare commercially attracted intense media interest. Taking the Long Way was released in stores and online on May 22, 2006. The album was produced by Rick Rubin who had worked with hard rock acts such as Red Hot Chili Peppers and System of a Down, as well as idiosyncratic singers such as Johnny Cash and Neil Diamond. The band felt they had nothing to lose by a newer approach, and possibly quite a bit to gain. All 14 tracks were co-written by the three Chicks, alongside various other songwriters, including Neil Finn of Crowded House (who more recently became a member of Fleetwood Mac).

To celebrate the 50th anniversary of the Country Music Association Awards held on November 2, 2016, the Dixie Chicks were invited to perform alongside Beyoncé on her song "Daddy Lessons". A studio version of the performance was released to digital outlets the following day.

On May 3, 2018, the band landed new management and signed with Ian Montone and Rick Yorn at Monotone/LBI Entertainment, as previous manager Simon Renshaw announced his retirement after managing the band since 1995.Soon after, Natalie Maines began posting pictures on her Instagram account which hinted that the Dixie Chicks were back in the studio together. The posts continued throughout June 2018 and included Maines posting a picture of herself with Jack Antonoff, known for his work with Taylor Swift, in the studio using the hashtag #dcx2018.

Following their collaboration with Taylor Swift on her song "Soon You'll Get Better" from Swift's seventh studio album Lover, the Dixie Chicks confirmed that they would return to music with a new studio album after a 14-year hiatus. The album, titled Gaslighter, and produced by Jack Antonoff, was later confirmed with a scheduled release date of May 1, 2020.. The first single, "Gaslighter", and its accompanying music video was released on March 4, 2020.

Their power is undeniable, and the talent is unmeasurable, and we have been lucky to have them in our lifetime.

So today, with love held all around me, I choose the Dixie Chicks’ “Easy Silence” as my, love will hold you down, try to gather it around you, catch the stars that fall when you can, song for a break open the sky, let the walls come down, like a whisper that slips in under the bedroom door, Thursday.


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Bernadette Peters - "Prologue (aka Greens Greens): In To The Woods"

April 08, 2020  /  Reid Lee

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So I needed to use all the veggies that I had in the fridge and when I pulled them all out they were all GREEN! So immediately this song popped into my head and I began singing loudly in the kitchen. Boyfriend, also a musical theatre person, proceeded to look at me like I was absolutely crazy.

Thus, there was no other choice for today’s song.

Today I choose Bernadette Peters’ version of “Prologue (aka: Greens Greens)” from In To The Woods as my, magical and mysterious, beautiful and hideous, you can be both song for a silly and serious, sideways and right-side, mixed and singular Wednesday.

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Dory - "Just Keep Swimming"

April 07, 2020  /  Reid Lee

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Some days, all you can do to move forward is to put one foot (or fin) in front of the other and just keep swimming. Or to quote another disney movie, just do the next right thing.

So today, with my eyes on the very next step, I choose Ellen Degeneres as Dory’s “Just Keep Swimming” as my, keep on keepin’ on, one little step at a time, you don’t need to see the top of the staircase to take the first step, song for a, believe in yourself, you have the strength, one more little hopeful breath, Tuesday.

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Donna Summer - "MacArthur Park"

April 06, 2020  /  Reid Lee

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Well, it’s day $f%^%$g of “Safer at Home” Social Distancing, and she is starting to lose it. The smallest things are starting to set off her emotions, and to top it all off, it’s raining.

Well, Damn.

I’m not crying, you’re crying. It was a stupid fucking cake anyway. Shut up, leave me alone. I’m totally fine I always shame eat in the bathroom.

LOL, it’s not quite that bad, but I’ll be darned if it doesn’t feel that way sometimes.

So today, with overdramatics abounding, I choose Donna Summer’s “MacArthur Park” but with the RuPaul’s Drag Race Lip Sync for your Life video as my, at this point the more drama the better, who cares it’s a cake, don’t tell me how to feel, song for a, you do that one more time, someone make it stop, why are my eyes leaking this salty discharge, Monday.

Oh God, it’s MONDAY!


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