• Home
  • Bio
  • Music
    • Listen
    • Watch
    • Album
  • Gallery
  • Social
    • Twitter
    • Instagram
  • Shows
  • Blog
  • Press
  • Contact
  • Home
  • Bio
  • Music
    • Listen
    • Watch
    • Album
  • Gallery
  • Social
    • Twitter
    • Instagram
  • Shows
  • Blog
  • Press
  • Contact

Reid Lee

Prince - "When Doves Cry"

February 19, 2020  /  Reid Lee

Prince.jpg

In honor of Black History Month all the posts for this month will feature black artists.

He was so many things. He was the modern day castrati, blending gender and passion, power and talent, music and adoration. We were lucky to have him.

Prince Rogers Nelson was an American singer, songwriter, musician, record producer, dancer, actor, and filmmaker. A guitar virtuoso and multi-instrumentalist known for his genre-crossing work, wide-ranging singing voice, and flamboyant stage appearances, he is regarded as one of the most influential musicians in the history of popular music.[1][better source needed] His innovative music integrated a wide variety of styles, including funk, R&B, rock, new wave, soul, psychedelia, and pop. Prince pioneered the late 1970s Minneapolis sound, a funk rock subgenre drawing from synth-pop and new wave.

Born and raised in Minneapolis, Prince developed an interest in music as a young child and wrote his first song, "Funk Machine", at the age of seven. He signed a recording contract with Warner Bros. Records at the age of 19, and released his debut album For You in 1978. Following up with his next four albums—Prince (1979), Dirty Mind (1980), Controversy (1981), and 1999 (1982)—Prince gained critical success, prominently showcasing his explicit lyrics as well as his blending of funk, dance, and rock music. In 1984, he began referring to his backup band as The Revolution and released his sixth album Purple Rain, which was also the soundtrack to his hugely successful film acting debut of the same name. It quickly became his most critically and commercially successful record, spending 24 consecutive weeks atop the Billboard 200. The film itself was critically and commercially successful and also won the Academy Award for Best Original Song Score, the last film to receive the award.

Following the disbandment of The Revolution, Prince released the critically acclaimed double album Sign o' the Times (1987). He released three more solo albums—Lovesexy (1988), the Batman soundtrack (1989), and the Graffiti Bridge soundtrack (1990)—before debuting his New Power Generation backing band in 1991. In the midst of a contractual dispute with Warner Bros. in 1993, Prince changed his stage name to the unpronounceable symbol , known to fans as the "Love Symbol", and began releasing new albums at a faster rate in order to quickly meet his contract's quota and release himself from further obligations to the record label. He released five records between 1994 and 1996 before he signed with Arista Records in 1998. He began referring to himself as "Prince" again in 2000 and subsequently released 16 albums, including Musicology (2004), his most successful album of that decade. His final album, Hit n Run Phase Two, was first released on the Tidal streaming service in 2015.

In April 2016, at the age of 57, Prince died of an accidental fentanyl overdose at his Paisley Park home and recording studio in Chanhassen, Minnesota. He sold over 100 million records worldwide, ranking him among the best-selling music artists of all time. He won seven Grammy Awards, seven Brit Awards, six American Music Awards, four MTV Video Music Awards, an Academy Award, and a Golden Globe Award. He was also honored with special awards including the Grammy President's Merit Award, American Music Awards for Achievement and of Merit, and the Billboard Icon Award. He was inducted into the Rock and Roll Hall of Fame in 2004, the UK Music Hall of Fame in 2006, and the Rhythm and Blues Music Hall of Fame in 2016. In 2016, he was posthumously honored with a Doctor of Humane Letters by the University of Minnesota. Rolling Stone ranked him at No. 27 on its list of the 100 Greatest Artists of All Time.

So today, with weary shoulders and tired eyes that can still sparkle, I choose Prince’s “When Doves Cry” as my, find your inner muse, do the work and let the genius come when it may, hold on to the passion, song for a, remember what you came here for, back is never the right direction, the only way out is through, Wednesday.

0 Likes

Tina Turner - "Proud Mary"

February 18, 2020  /  Reid Lee

tina-1-gty-er-191114_hpMain_16x9_992.jpg

In honor of Black History Month all the posts for this month will feature black artists.

She is a warrior, a muse, an activist, a poet, and an inspiration. She has battled adversity after adversity and always risen above the challenge. Through poverty, abuse, abandon, and loss, she has taught us all a master class in finding your silver linings and rising to take second chances. 

She began her career in 1958 as a featured singer with Ike Turner's Kings of Rhythm, first recording under the name "Little Ann". Her introduction to the public as Tina Turner began in 1960 as a member of the Ike & Tina Turner Revue.  Success followed with a string of notable hits credited to the duo, including "A Fool in Love", "River Deep – Mountain High" (1966), "Proud Mary" (1971), and "Nutbush City Limits" (1973), a song that she wrote. In her autobiography, I, Tina (1986), she revealed several instances of severe domestic abuse against her by Ike Turner prior to their 1976 split and subsequent 1978 divorce. Raised a Baptist, she encountered faith with Nichiren Shoshu Buddhism in 1971, crediting the spiritual chant of Nam Myoho Renge Kyo, which Turner says helped her to endure during difficult times.

After her divorce from Ike Turner, she rebuilt her career through live performances. In the 1980s, Turner launched a major comeback with another string of hits, starting in late 1983 with the single "Let's Stay Together" followed by the 1984 release of her fifth solo album Private Dancer which became a worldwide success. The album contained the song "What's Love Got to Do with It", which became Turner's biggest hit and won four Grammy Awards including Record of the Year. Her solo success continued throughout the 1980s and 90s with multi-platinum albums including Break Every Rule and Foreign Affair, and with singles such as "We Don't Need Another Hero (Thunderdome)", "Typical Male", "The Best", "I Don't Wanna Fight", and "GoldenEye", for the 1995 James Bond film of the same name.

In 1993, What's Love Got to Do with It, a biographical film adapted from her autobiography, was released along with an accompanying soundtrack album. In addition to her musical career, Turner has also garnered success acting in films, including the role of the Acid Queen in the 1975 rock musical Tommy, a starring role alongside Mel Gibson in the 1985 action film Mad Max Beyond Thunderdome, and a cameo role in the 1993 film Last Action Hero.

One of the world's best-selling artists of all time, she has also been referred to as The Queen of Rock 'n' Roll. Her combined album and single sales total approximately 100 million copies worldwide. Turner has also sold more concert tickets than any other solo performer in history. In 2008, Turner returned from semi-retirement to embark on her Tina!: 50th Anniversary Tour. Turner's tour became one of the highest selling ticketed shows of 2008–09. She is noted for her energetic stage presence, powerful vocals, and career longevity.

Throughout her career, she has won eleven Grammy Awards, including eight competitive awards and three Grammy Hall of Fame awards. Rolling Stone ranked Turner 63rd on their list of the 100 greatest artists of all time. and 17th on their list of the 100 greatest singers of all time. In 1991, Turner was inducted into the Rock and Roll Hall of Fame. In January 2018, it was announced that Turner will be one of the recipients of the Grammy Lifetime Achievement Award.

She will never be forgotten and the trail she blazed burns brightly still with girls striving to be like Tina. 

So today, with depths unfound and heights unscaled, I choose Tina Turner's "Proud Mary " as my, let yourself rise, find beauty in the broken, it's never to late to change your life, song for a, never believe other people's limitations of you, take back your time, live and burn and soar through the drudgery, Tuesday.

0 Likes

Nina Simone - "Don't Let Me Be Misunderstood"

February 17, 2020  /  Reid Lee

simone.jpeg

In honor of Black History Month all the posts for this month will feature artists of color.

Her influence on the world through music and through social justice will never be forgotten. She combatted racism, patriarchy, and the public disdain for mental illness. She was a warrior, and though she had her flaws, what genius did not. 

Born Eunice Waymon in North Carolina, the sixth child of a preacher, she aspired to be a concert pianist. With the help of a few supporters in her hometown of Tryon, North Carolina, she enrolled in the Juilliard School of Music in New York.

Eunice then applied for a scholarship to study at the prestigious Curtis Institute of Music in Philadelphia, where she was denied admission despite a well-received audition. Waymon became fully convinced this rejection had been entirely due to racial discrimination. Years later, nine days before her death, the Curtis Institute of Music bestowed on her an honorary degree.

To make a living, Eunice Waymon changed her name to "Nina Simone". The change related to her need to disguise herself from family members, having chosen to play "the devil's music"or "cocktail piano" at a nightclub in Atlantic City. She was told in the nightclub that she would have to sing to her own accompaniment, and this effectively launched her career as a jazz vocalist.

Simone recorded more than 40 albums, mostly between 1958, when she made her debut with Little Girl Blue, and 1974. She had a hit in the United States in 1958 with "I Loves You, Porgy".

Simone's musical style fused gospel and pop with classical music, in particular Johann Sebastian Bach,and accompanied expressive, jazz-like singing in her contralto voice. In 2018, Simone will be inducted into the Rock and Roll Hall of Fame.

So today, with life swarming all around me in murmurations, I choose Nina Simone's "Don’t Let Me Be Misunderstood" as my, with the oppressive heat and a jubilant spirit, onward and upward, to hope, song for a, life is worth the wander, go find your adventure, you have every chance you can take, Monday.

0 Likes

Roberta Flack - "The First Time Ever I Saw Your Face"

February 14, 2020  /  Reid Lee

Roberta_Flack_1976.jpg

In honor of Black History Month all the posts for this month will feature artists of color.

Roberta Cleopatra Flack is an American soul singer. She is known for her #1 singles "The First Time Ever I Saw Your Face", "Killing Me Softly with His Song" and "Feel Like Makin' Love", and for "Where Is the Love" and "The Closer I Get to You", two of her many duets with Donny Hathaway.

Flack was the first, and remains the only, solo artist to win the Grammy Award for Record of the Year on two consecutive years: "The First Time Ever I Saw Your Face" won at the 1973 Grammys as did "Killing Me Softly with His Song" at the 1974 Grammys.

Flack's minimalist, classically trained approach to her songs was seen by a number of critics as lacking in grit and uncharacteristic of soul music. According to music scholar Eric Weisbard, her work was regularly described with the adjectives "boring", "depressing", "lifeless", "studied", and "calculated"; AllMusic's Steve Huey said it has been called "classy, urbane, reserved, smooth, and sophisticated". In 1971, Village Voice critic Robert Christgau reported that "Flack is generally regarded as the most significant new black woman singer since Aretha Franklin, and at moments she sounds kind, intelligent, and very likable. But she often exhibits the gratuitous gentility you'd expect of someone who says 'between you and I.'"

The last time I wrote about Roberta was in 2018, and what wild difference a few years can make. Previously I wrote:

“Because I have to believe that no matter how many times a heart is broken, no matter how many times it's been trampled and bruised, no matter how often it has been discarded and tossed to the curb by careless hands, that it is never to shattered to be repaired, recycled, and sent back into the ring for another round in this game called love. 

I know I haven't found you yet, but I'm here, learning patience, and looking for you. Hurry if you can, but I'll be here regardless, waiting to be your man. ‘

This year, I’m the luckiest I’ve ever been, and in the healthiest relationship I’ve ever had, more grateful than I knew I could be. Apparently patience is a virtue learned over time. I’m so glad my heart was not so broken as to not be able to be sent back in the ring.

So today, with gratitude around every corner, I choose Roberta Flack's "The First Time Ever I Saw Your Face" as my, thank you for today, each little gift, foster the spark of love anyplace you can find it, song for an, open your heart even when it’s scary, never stop hoping, Love is worth living for, Friday, Valentine's Day. 

Happy Valentine's Day everyone, here's wishing you Love.

1 Likes

Mahalia Jackson - "His Eye Is On The Sparrow"

February 13, 2020  /  Reid Lee

mahalia-jackson-ap-hero.jpg

In honor of Black History Month all the posts for this month will feature artists of color.

Mahalia Jackson was born in New Orleans, Louisiana in 1912. She was named Mahala Jackson by her parents Charity Clark and Johnny Jackson. Mahalia had a rough childhood. She was born with the medical condition of ‘bow legs’ and was unable to receive the surgery to fix it. She lived in a shack along with her extensive family. She also lost her mother at the tender age of six and was forced to live with her aunt who made Mahalia do all the house chores instead of attending school. Because of this upbringing, music was an important aspect of her life from a young age as the only time she would enjoy herself was when she was singing. Mahalia would sing with her church choir every Sunday. 

Although Mahalia had a very religious upbringing she was influenced by both secular and non secular artists just the same. A lot of her early musical influence was from the church that she attended but she also was greatly influenced by Bessie Smith, Ida Cox, and Ma Rainey. Bessie Smith was an African American jazz and blues vocalist in the hugely popular in the early 20’s. She was one of the highest paid performers of her time. Ida Cox was an African American jazz singer in the 20’s as well. She as well known for singing music for and about African American women’s struggles and had many different pseudonym to protect her identity when producing these sometimes racially themed songs especially during the time period of the 20’s when racism was very prevalent. Lastly, Ma Rainy also known as the “Mother of Blues” was the first popular stage performer to incorporate authentic blues into her repertoire. The height of her popularity was also in the 20’s. All three of these nonsecular singers had a great influence on Mahalia’s music knowledge and later her music style. Mahalia incorporated more free movements and rhythm into her music and performances than traditional gospel.

When she was 16, she decided to follow her passion of music and move to Chicago where she joined Greater Salem Baptist Church. There she was selected to sing as a soloist. Jackson also sang with The Johnson Brothers which was one of the earliest professional gospel groups. She started her solo career in the 1930’s and started to receive public attention. People were attracted to her voice because it was soulful and she was a charismatic performer. Jackson chose to only sing religious music and perform at reputable venues. Her first hit, “Move On Up a Little Higher” came out in 1948 and was instantly popular due to its use of “vamp,” which is a repeated phrase that provides a base for solo improvisation. Some of her other hits include “Silent Night,” “I Believe,” “Just over the Hill,” “When I Wake Up in Glory,” “He’s Got the Whole World in His Hands” and “I Can Put My Trust in Jesus.” 

When Jackson had the opportunity to perform in Carnegie Hall in 1950 and began to put on annual shows there, her fame exploded. She began to sell millions of copies of her records. She performed for President Kennedy in 1961 and made a notable appearance in the Newport Jazz Festival. Most importantly, though, she became active in the Civil Rights Movement in the 1950’s and the 1960’s. In 1963, she sang the African-American Spiritual “I Been ’Buked and I Been Scorned” at the Washington Monument right before Dr. Martin Luther King gave his famous “I Have a Dream” speech. She is now a world icon, known notably for her beautiful voice, but also for her inspirational music, and commitment to social change.

Her success was not easy and did not come without struggles. As an African American Women, Mahalia faced many challenges during her career. For one, in her personal life she divorced her first husband, was born with ‘bow legs’, was forced to drop out of school at an early age, and died of heart failure. She also faced struggles as an African American women. Jackson was subject to the same unfair treatment that African Americans were subject too. For example, Jackson lived during the time of Jim Crow Laws which prevented African Americans from using the same facilities like bathrooms and water fountains as their white counterparts, forbade them from going certain places that their white counterparts could go, and other demeaning rules; because of these societal rules, Jackson was not allowed to perform at all venues even though she did break down barriers as the first African American gospel singer to perform in Carnegie Hall. She also struggle in her career as it was not always successful. Her first record did not sell well and therefore it was a while before she recorded again. Despite these setbacks, Mahalia was still able to become one of the most well known and loved gospel singers known today.  

Jackson used her music to uplift the African American community.  She was able to reach millions through her concert performances, and radio and television appearances.. As Whitman explains, President Nixon explained that she “sings the Gospel  message of freedom” which became “metaphors of black freedom” for the African-American community. People found strength in her songs. Jackson started singing gospel as a girl in a small church in New Orleans and never stopped. She remained a positive influence by sticking to her values and only performing uplifting gospel music to inspire the African-American community during hard times. In this way, Jackson became a leader in the African-American community, inspiring others to have resilience through hard times like time before the civil rights movement. 

Not only did Jackson’s lyrics in her music uplift the community but they exemplified the struggle that African Americans were experiencing. Jackson continued to sing influential music like her song, “His Eye is on the Sparrow”. As Irene Jackson Brown puts it, the lyrics ask important questions like “Why should I feel discouraged” Why should I feel in pain? Why should I feel lonely when clouds arise, when I have trouble and I long for heaven and home? His eye is on the sparrow and I know he is watching over me” (Terkel).  These questions describe the sentiment in the African-American community at the time. Because of the civil rights movement, African-Americans were facing prejudice and discrimination and yet this song tells them that it is going to be okay because God (the sparrow) is watching over them. The African-American community turned to God for their hope and their light which is why gospel music was such an important aspect of their lives and these lyrics helped inspire the African American community to keep going through hard times. Mahalia Jackson’s gospel lyrics inspired the African-American community to keep fighting for their rights. 

Mahalia Jackson not only inspired the community with her music but also exemplified the strength of the community through her live performances. Jackson’s music was even more influential in her live concert performances where her commitment to the lyrics and message could be seen. As Mr. Heilbut explains, “Singing these and other songs to black audiences, Miss Jackson as a woman on fire, whose combs flew out of her hair as she performed. She moved her listeners to dancing, to shouting, to ecstasy. – Whenever Mahalia Jackson poured the power and the majesty of her conic into one of her favorites songs, “I Believe”, there could never be any doubt that she meant it,  meant every word” (Terkel). The passion and commitment that went into Mahalia’s performance was very obvious to anyone watching and this inspired many. They saw a strong African-American woman with a beautiful voice singing about hope and they were inspired to keep fighting for their rights. Even white audiences were inspired by Jackson’s performances because they could sense the strength emanating from Jackson herself through her music and a strong black woman is a different image than the white community is usually presented with. In this way, Jackson exemplified the strength of all African Americans. 

Jackson shows her amazing leadership in her attempts to not only fight for the rights of African American community but for unity in the United States. As she herself explained, “I have hopes that my singing will break down some of the hate and fear that divide the white and black people in this country” (Whiteman). Mahalia not only chose to fight the for the rights of her people but also to bring the country together. This was her goal in her music and she passed that same goal along to her role in the civil rights movement. Her performances brought together African American and white people. In this way, like her friend Martin Luther King, she fought in a peaceful yet demanding way to not only achieve her rights but also to make peace in the country. 

Jackson’s resistance to white dominated society is shown through her participation in the civil rights movement. One of Jackson’s most influential moments is her performance of “I Been Buked and I Been Scorned” before Martin Luther King’s famous “I Have A Dream Speech” during the famous March on Washington. Jackson inspired millions of people there and on television in her awe-inspiring perforce and as Whitman puts it the song “came as much from her heart as from her vocal chords”. Although Jackson had been involved in the Civil Rights Movement for over a decade, this pinnacle moment and march was a turning point in the movement. Millions of people participated in the march/protest and it was one of the most important because it got the message across to the political leaders of the time that the leaders of the civil rights movement were serious about getting equal rights for African Americans. Many people described Jackson’s performance as the awe-inspiring, and she set the mood for Dr. King’s ‘I Have a Dream” speech.

Mahalia Jackson’s contribution to the civil rights movement went way beyond her singing at the March on Washington and revealed her inner resilience for the cause. Jackson meet Martin Luther King when she became very active in the moment and they became great friends. They traveled all over the South together, her singing, and him speaking. She not only lifted the spirit of King’s audiences but even helped him deliver his most famous speech, the “I Have A Dream” speech. As Hansen explains in his article, during King’s speech, “Nearby, off to one side, Mahalia Jackson shouted: ‘Tell them about the dream, Martin!’ – He said, ‘I say to you today, my friends, so even though we face the difficulties of today and tomorrow, I still have a dream’. And he was off, delivering some of the most beloved lines in American history”. The fact that Jackson was an inspiration to even Dr. King shows her importance as a resilient figure.

Mahalia Jackson became an international star and was not only performing often even on television but also was touring all over the world. Towards the end of the 60’s, though, Mahalia’s health had started to decline and she was hospitalized many times. She retired from her political career and gave her final concert in Munich, Germany in 1971. Jackson died at the age of 60 on January 27th, 1972. Thousands of people attended both of her memorials and her former student Aretha Franklin performed in her honor. 

Although she did not live a long life, Mahalia Jackson accomplished many things during her time. She was the first African American gospel woman singer to perform in Carnegie Hall and she also performed for the inauguration of John F Kennedy. One of her most famous performances was at the March on Washington where she performed “I Been ’Buked and I Been Scorned” before Dr. Martin Luther King gave his famous I Have a Dream Speech. She also sang at Dr. Kings memorial and published her own autobiography, Movin on Up. Jackson was honored with a Grammy Lifetime Achievement Award, was inducted into the Gospel Music Association’s Gospel Music Hall of Fame in 1978, and inducted into the Rock and Roll Hall of Fame. Lastly, she was the first gospel singer to be honored with a star on the Hollywood Walk of Fame. 

Many raving reviews of Jackson reveals her effect on other’s lives. As Rev. Jesse Jackson said, “when there is no gap between what you say and who you are, what you say and what you believe — when you can express that in song, it is all the more powerful” (Glinton). Jackson was a great person to look up to because she knew who she was, did what she said she would, and never strayed from that. She has been acknowledged by many other important figures and musicians as an upstanding person who was resilient through all hard times and stood for everything that was right in the world.

Her voice was full of passion and power. She used her gifts to raise up her family, her friends, and her people. She was the kind of leader who lead through example, and that was powerful medicine indeed.

So today, with joy in my heart, I choose the Iconic Mahalia Jackson’s version of “His Eye Is On The Sparrow” as my, lift thine eyes, search thy soul, seek the light, song for a, remember the early lessons, find the truth where it can be found, remember you carry the lantern in your heart, Thursday.

0 Likes

Johnnyswim - "Take the World"

February 12, 2020  /  Reid Lee

johnnyswim2jpg.jpg

In honor of Black History Month all the posts for this month will feature artists of color.

I’ve loved Johnnyswim for years now. Their intricate melodies and delicate harmonies are reminiscent of the Civil Wars or Joseph. It’s a rare romantic duo that can last the test of time while making incredible music.

Though this post is for Johnnyswim, I’d like to highlight Amanda Sudano. Amanda Grace Sudano-Ramirez (born August 11, 1982) is an American singer, songwriter, and model. Her parents are singer Donna Summer and composer Bruce Sudano, and her voice is a direct gift from her parent’s musical prowess.

Sudano was born in Los Angeles, California, to Donna Summer and Bruce Sudano. Her two older sisters are Mimi Sommer Dohler, from her mother's first marriage to Helmut Sommer, and actress Brooklyn Sudano. Her maternal cousin is the music producer and rapper Omega Red, and her paternal uncle is Fr. Glenn Sudano, CFR, a Roman Catholic priest and founding member of the Franciscan Friars of the Renewal in New York City. Sudano spent the early part of her childhood in Thousand Oaks, California. In 1995, when she was 13, her family moved to Nashville, Tennessee, where she attended high school at Christ Presbyterian Academy and college at Vanderbilt University.

In her Modeling career Sudano is a model with the Bella Agency in New York. In 2010, Fabrizio Viti chose Sudano to model for Louis Vuitton's Spring/Summer 2010 shoe campaign. Sudano is the first black model to be featured solely in Louis Vuitton advertisements.

In 2005, Sudano met songwriter, guitarist and vocalist Abner Ramirez in Nashville. They struck up a friendship and formed the band Johnnyswim. The duo perform covers of eclectic songs like Edith Piaf's "La Vie En Rose" and Britney Spears's "Till The World Ends". Johnnyswim released their first self-titled EP in 2008. This was followed by Bonsoir and Good News in 2011, Home in 2012, Diamonds in 2014, Georgica Pond in 2016, and Moonlight in 2019.

So today, with romance and smoke I choose Johnnyswim’s “Take the World” as my, find the music in mundane moments, look for the light in their eyes, reflect the gifts you’ve been given, song for a, rise up, shed skin, soar, Wednesday.

0 Likes

Nat "King" Cole - "Ballerina"

February 11, 2020  /  Reid Lee

610_natkingcole_about.jpg

In honor of Black History Month all the posts for this month will feature artists of color.

Nat King Cole crowns a very short list of the most identifiable and memorable voices in American music. This ground breaking American icon’s impact continues to cross the world’s cultural and political boundaries. The story of his life is a study in success in the face of adversity and the triumph of talent over the ignorance of prejudice.

Born Nathaniel Adams Coles on March 17, 1919 (although 1916 and 1917 have also been cited), in Montgomery, Alabama, Cole was born into a family with a pivotal position in the black community; his father was pastor of the First Baptist Church. In 1921, the family migrated to Chicago, part of the mass exodus seeking a better life in the prospering industrial towns of the north. At four years old, he was learning the piano by ear from his mother, a choir director in the church. At 12 years old he took lessons in classical piano, but was soon to be bitten by the Jazz bug — inescapable in Chicago. He left school at 15 to pursue a career as a jazz pianist. Cole’s first professional break came touring in the revival of the show “Shuffle Along.” When the show folded he was stranded in Los Angeles. Cole looked for club work and found it at the Century Club on Santa Monica Boulevard, where he made quite an impression with the “in” crowd.

In 1939, Cole formed a trio with Oscar Moore on guitar and Wesley Prince on bass, notably they had no drummer. Gradually Cole would emerge as a singer. The group displayed a finesse and sophistication which expressed the new aspirations of the black community. In 1943, he recorded “Straighten Up And Fly Right,” for Capitol Records, inspired by one of his father’s sermons. It was an instant hit, assuring Cole’s future as a pop sensation. With the addition of strings in 1946 “The Christmas Song” began Cole’s evolution into a sentimental singer. In the 1940s he made several memorable sides with the Trio, including “It’s Only A Paper Moon” and “(I Love You) For Sentimental Reasons.” But by 1948, and “Nature Boy,” the move away from small-group jazz, towards his eventual position as one of the most popular vocalists of the day, was underway.

During the 1950s, he was urged to make films, but his appearances were few and far between, including character parts in BLUE GARDENIA, CHINA GATE, and ST. LOUIS BLUES. However, Cole was not a natural actor — his enormous appeal lay in concerts and records.

During the years of Cole’s enormous popularity in the “easy listening” field he said he felt that he was “just adjusting to the market: as soon as you start to make money in the popular field, they scream about how good you were in the old days, and what a bum you are now.” At this time jazz fans had to turn out to see him in the clubs to hear his phenomenal piano — an extension of the Earl Hines style that had many features of the new, hip sounds of bebop. If Cole had not had such an effecting singing voice he might well have been one of bebop’s leaders. Bebop was an expression of black pride, but, it should be noted, so was Cole’s career, proving that whites did not possess the monopoly on sophistication.

Cole took racism on the chin, once attacked on stage in Birmingham, Alabama (after which he stuck to the promise that he would never return to the South) and refusing to move when he met objections from white neighbours having bought a house in fashionable Beverly Hills. Significantly, Cole became the first black television performer to host a variety TV series in 1956, but was forced to abandon the role in 1957, when the show could not find him a national sponsor.

Nat Cole’s “unforgettable” voice, with its honeyed velvet tones in a rich, easy drawl, is one of the great moments in music, and saw him accepted in a “white” world. With high profile friends, such as Frank Sinatra, his position entailed compromises that gained him the hostility of civil rights activists in the early 1960s. But Cole was a brave figure in a period when racial prejudice was at its most demeaning, Cole suffered the indignity of being “whited up” for some of his TV performances, to make him more “accessible” to a white audience. Before his death from lung cancer in 1965, Cole was planning a production of James Baldwin’s play, “Amen Corner,” displaying an interest in radical black literature at odds with his image as a sugary balladeer.

This song specifically is one of my favorites. Playing deeply into what Nat did best, his warm rich tones and a soft dreamy orchestration make this song the perfect way to escape into a midnight daydream. It’s almost like he’s flirting directly with you. He’s just that charming.

So today, with dreams dusting my shoulders, I choose Nat "King" Cole’s "Ballerina" as my, with each little twirl around the room, spin my darling spin, laughing all the way, song for a, dizzying in it’s madness, delightful in it’s dizziness, maddening in it’s delight, Tuesday.

0 Likes

Cynthia Erivo - "I'm Here & I Did Something Bad (with Shoshana Bean)"

February 10, 2020  /  Reid Lee

cynthia-erivo-hot-list-list.jpg

In honor of Black History Month all the posts for this month will feature artists of color.

Cynthia Erivo received a 2016 Tony Award for her Broadway debut as Celie in The Color Purple as well as the 2017 Grammy Award for Best Musical Theater Album. This is where most people in the US discovered her. Born to Nigerian parents in Stockwell, South London, she attended La Retraite R.C Girls School then began a music psychology degree at the University of East London. However a year into her degree, she applied to, and subsequently trained at, the Royal Academy of Dramatic Art.

European theater credits include The Umbrellas of Cherbourg, Sister Act, I Can’t Sing!, Dessa Rose, Henry IV, Marine Parade, I Was Looking at the Ceiling and Then I Saw The Sky, The Three Musketeers, The Princess of Spainand A Midsummer Night’s Dream.

In addition to her stage career, Erivo is a songwriter and wrote the song, "Fly Before You Fall," for the feature film Beyond the Lights. She has also skyrocketed to fame from her incredible Oscar nominated turn as Harriett Tubman.

Her voice is a rocket. It soars high and easy, with power propelling it to places that most people only dream of going. She knows how to delicately touch a note, only to roar moments later. This dynamic control and range give her the emotional flexibility to captivate her audiences.

So today, with guts and gusto I choose Cynthia Erivo’s "I'm Here" & her cover (with Shoshana Bean) of "I Did Something Bad" as my, go on and burn it down, make diamonds from the ashes, use the flames for fabric, songs for a, yours is the love that is all around, there are stars in the sky if you’ll just look up, miracles falling in your lap like daisies, Monday.


0 Likes
Newer  /  Older

Powered by Squarespace